In a hat tip to Om Malik who writes a periodic column called “What I’m reading“, I decided to write a weekly note on what I’ve been reading. Today it was Flowers for Algernon by Daniel Keyes. I was rooting around the basement library of some friends that I was crashing with for the week, hoping to find a mindless Ludlumesque or Lee Child adventure, when I came across the book. My friend’s copy was in mint condition lulling me into believing it was a recent book despite its blurb “The classical novel that inspired the Academy Award-winning movie Charly” which of course I’d never heard of.
Flowers for Algernon by Daniel Keyes
My rating: 5 of 5 stars
I picked up the book with little idea of what it was about or even when it was written. I certainly did not think of it as science fiction, which is what Wikipedia speaks of it as. I read the book in a single sitting, as it held me enthralled. The start of the book, as in letter form or more accurately, journal entries took a moment to get used to and for the first page or two, the misspellings and poor grammar seems a little contrived. However, Charlie Gordon’s voice and narration drew me in and I had a hard time attending to real life needs be it breakfast or lunch as I plunged my way through the book on a work day! The book worked at so many levels, from how mentally retarded folks are treated, to the insular world of academicians and scientists to growing self-awareness and insight of an evolving Charlie Gordon and how childhood experiences and memories continue to shape us. The redemption of Charlie’s sister Norma, his encounter with his father, his evolving relationship with Alice – the book is filled with tales of redemption and self-knowledge – even if every one of these characters are not threshed out fully. I’ve rated the book with 5 Stars for both the subject and how it’s been covered and the way it held me truly enthralled.
Get it and read it.
The other book I’m reading at present is
Mojo: How to Get It, How to Keep It, How to Get It Back When You Lose It by Marshall Goldsmith with Mark Reiter